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He put the full power of his dual studies to use, arriving at the illusionist-like meld of sound design and physical performance that his current-day solo efforts portray. Before, during, and since those collaborations, Tignor has mounted an impressive discography under his own name and with his groups Slow Six, and Wires Under Tension, all while completing Princeton’s PhD program for music composition, and NYU’s Masters of computer science program. Himself an expert in the interplay of levity and gravity, Christopher Tignor first crossed paths with King in the mid 2000s, lending string arrangements to This Will Destroy You releases, and sometimes touring as a live member of the group. Where the genre at large is sometimes guilty of being the spiritual equivalent of a topical balm, King’s aesthetic is more like a rigorous therapy session that is as healing as it is confronting. Similar to his former band’s output, King’s so meanderings impart a mood of buoyancy and contemplation while hinting at darker, more shadowy hues beneath the glimmer, making his music stand apart from the glut of New Age droners and modular-synth influencers who opiate the modern music landscape for better or worse. This unlikely seesaw of influences led directly to King forming the post-rock pillar This Will Destroy You. King spent his teenage years cutting his teeth on heavy metal and punk before gravitating, quickly and perhaps unexpectedly, toward experimental composers like Philip Glass and Terry Riley. While the record breathes with a sense of yearning easily identified with life in their respective cities, it also conveys a unique resonance between these artist’s distinct musical approaches.Ī visual artist whose work includes album covers for Thrice and Deftones in addition to video bumps for Adult Swim, Christopher Royal King has been quietly and steadily releasing deeply exploratory, cassette-baked vignettes as Symbol for the last decade amid his migration from central Texas to Los Angeles. The remote nature of this collaboration is notable: only audio downloads and periodic text messages were exchanged over the record’s 4-month development.
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The resulting debut album, A Wave From A Shore, exhibits both artists’ sonic identities binding into a new entity distinct from either’s solitary palettes. Via tape loops and synth motifs sent from coast to coast, LA sound artist Christopher Royal King has teamed with NYC violinist and composer Christopher Tignor toward richly timbral, emotionally gripping works of spontaneity that unfurl immense details with each replay while marrying West Coast outboard-ambient to studied East Coast modern classical.